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Showing posts from February, 2016

Timbaland's Secret Weapon-SoundOracle Interview Pt. 1

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A MUST WATCH FOR MUSIC PRODUCERS OF ANY GENRE.                                  THE SOUND ORACLE,THE NEW KING OF SOUND DESIGHN                                    BigUp-BusyWorksBeats For Video

EXHALE by Output

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9th Wonder - God's Stepson - Made You Look (Instrumental Beat)

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The Truth of Street Music[9th Wonder] GODS STEPSON

Top 5 Cool Free Software (You Haven't heard of) - ThioJoeTech

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TheoJoeTech.If u Havent Heard of This Guy,Your Missing Out.

PARTYNEXTDOOR Dark Trap Tutorial-[BUSY WORK BEATS]

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Busy Works Beats is One of Many Wicked Unsung Producers ..HOT.
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RYTHEM OF LIFE_ Don P Prod._NITCHMUSICGROUP https://www.pinterest.com/pin/289145238556745054/

FUTURE KNO THE MEANING TUTORIAL | Presonus Studio One | make a beat like

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One of Many of My Producer Peeps . (Craftmaster Productions)Down to Earth &Knowledgeable.

The Stars of Komplete 10

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KOMPLETE KONTROL: Feature details

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AWESOME KOMPLETE 
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The New World of Songwriting – But Not That Different, Really Posted on  February 8, 2016   by  Gary Ewer Today’s world of pop music can be a very insular one, in the sense that many “discoveries” pop musicians make about what people like aren’t really new after all. I’ve posted  an article from the New Yorker  recently, called “The Sound Machine,” about how hits are written today. In that article, Jay Brown (president of Roc Nation) said: “You’ve got to have a hook in the intro, a hook in the pre-chorus, a hook in the chorus, and a hook in the bridge.” The reason, he explained, is that “people on average give a song seven seconds on the radio before they change the channel, and you got to hook them.” I’d argue that that hasn’t really changed. Pop music has always been a hook-laden art form. And though we talk a lot about hooks as the main element of a catchy chorus, every section of a song needs something that keeps people list...